The magic of Lego Instant Camera
The magic of Lego Instant Camera
Recently many photographers inquired about how to get a modified instant camera. This post shows part of our collection of the modified instant camera.
We do sell these cameras to passionate people, to share the magic of instant pictures! Feel free to leave me a message through this blog or instagram (cupcakeg2).
Recently I have taken the Lego Instant Camera to many places to test. And I felt in love with this interesting camera. It never fail to get attention from the curious people. The camera is a magic trick itself, and it is self-working.
Up to now, the camera’s design has evolved a bit from the first version. The light leak is completely resolved. I didn’t stick the Lego by glue. Hence, sometimes it may slightly cracked when I took out in my filled bag. It needs only a small squeeze to close the gap and it’s good to go again. It appears that even these cracks would not create any light leak, because of the light sealing treatment done inside.
More posts on Lego Instant:
The Lego Instant Camera was announced last week and I received many interesting messages from both the photography communities and my friends. Sharing the ideas with others will usually stimulate other new ideas. I sincerely thanks for all people giving me insightful comments and sharing their own creation to me.
Shooting with Lego Instant intensively for weeks, I identified some aspects that the camera can improve on. Most of the people I met never used a TLR before. They are very amazed by the surreal viewfinder in the Lego twin lens camera, where you can preview the image like a digital camera.
The transparent ground glass on the top (where the Santa Claus facing) shows the image from the viewing lens
How traditional TLR preview the image
However, the ground glass for preview looks dim in certain occasions, in particular looking at objects in dark area and in certain outdoor situation, mostly due to random light entered into the ground glass.
The solution is simple. To build a preview chamber like a tradition TLR. Here is how the chamber looks like. Effectively blocks all the
This is the world first Lego twin lens instant film camera – Lego Instant. Yes, I built this camera from scratch. I always have fascination in twin lens camera (TLR). The instant film adds the magic touch to this classic camera design.
First look at the Lego Instant
With my background on instant camera modification, it might be possible to build a Lego twin lens reflex with a classic design while using a modern Instax instant film. This camera is the first Lego camera to use instant film, as far as I know…
Looking from different perspective
Using the lens from the vintage camera
On the surface, it looks like a castle built with Lego. The design made reference to the classic twin lens film camera. Here I use two lens from a Japanese TLR – Yashica. I tried various ways to mount the lens onto the Lego tightly. The way I currently mount the lens preclude the use of glue.
Traditional twin lens reflex (TLR) – Yashica 635
Making use of Fuji Instax instant film
The film ejection mechanism is modified from a Fuji Instax Mini camera. Yes, the film ejection is driven by motor. Sounds cool? It uses Instax Mini film. Using instant film adds a new dimension to TLR. The classical TLR uses medium format film and it needs special processing to develop the pictures. And it takes a long time. Using Instax Mini film, I am always ready to give out the pictures to people. It is way more impressive than using a bulky-advanced camera and showing people the preview pictures on the small screen. It is an astounding and magical moment to witness an instant picture pops out from the Lego camera, not to mention the suspense of seeing the image emerges slowly.
Camera construction process
Let me count how many bricks I have used later. Most of the bricks are ordinary bricks and a few Lego technic pieces were used in the front plane, which can be seen in the camera photo. I have this Lego TLR idea in my head for some months when I saw my neighbour throwing away boxes of Lego. I started to think about the possibility to modify a camera with Lego. My impression is there are always some creative way to use Lego; making a camera with it may not be entirely impossible. Weeks later I ordered lots of Lego and took me a night of experiment to come up with an initial skeleton design. But the method I mounted the lens was not satisfactory at the time, which was fragile and difficult to block out unwanted light. I tried to use the Lego software to design too but it is more difficult to visualise than to stack it physically.
Then I was trying to find some good Lego technic piece to resolve the mounting issue. Later I started to think it would probably be more efficient if I just drill the hole in a Lego flat plane. Everything went fast after that moment and I came up with a workable version which can take pictures.
Focusing mechanism – a ground glass locates on the top of the camera to assist focusing
Another focusing example
Greatest challenge is to block the light leak
To me, the challenge of using Lego as a camera, is always on how to block light leak. The previous two photographers who tried to build the camera have not resolved this problem fully. Lego, not only has lots of tiny gaps after assembling, it also turned half transparent if it is under strong light such as sunlight. There will be a lot of random light and colourful reflection on the picture if one only uses Lego to seal the film compartment. It needs to use some better approach to resolve this light leak completely, which I made use the traditional film camera modification techniques. I can take the camera out in a sunny day without any fear that the light will disturb the exposure, just as the sample pictures show.
Here are more pictures samples. Lens is a critical part of this project. The photo quality almost entirely depends on the lens, after we blocking all the random lights and reflections in the camera. Here again I use my favourite Yashica 80mm F3.5. It has a wide aperture and impressive bokhen. It is excellent as a walk around portrait lens and I also love its low light performances. Compared to the instant cameras in the market, the glass lens from Yashica delivers a much more stable performances in different lighting situations, a wider aperture to use, more appealing bokhen (while many instant cameras have no bokhen due to the small aperture) and richer and unique colour tone.
Many people asked about the size of the camera. Whether I can shrink it further and what’s the usage of different bricks. The answer is that not much room to shrink it further if we want to retain the twin lens design and a motorised film ejection system. The camera is quite comfortable to hold in hands. After carrying it around to shoot for a few weeks, the camera weight and size are manageable. It often creates some interesting emotion when people discovered this Lego castle is a camera. ddAnd even more surprise that it is not a commercial product but my own modification. They faint when they learnt that it is an instant camera. It is an absolute killer if they watch the magic performance after taking the pictures…
Stay tuned with us ! More topics about Lego Instant to be covered, including various tricks of using Lego Instant !
More updates on Lego Instant:
During the holiday, I visited the gorgeous Parisian in Macau. This hotel pushes the extravagant style to a next level, way further than Venetian Macau. I have walked alone in the hotel at night and can’t help to shoot some instant pictures.
Instax Wide Ross Xpres – F11-1/3, 1/2s
Without the luxury of a digital white balance, the Instax pictures reflect the golden tone we see in reality. Sometimes I think it is much better than using artificial white balance adjustment in the digital world. There is a Parisian hallway which mimics the shopping malls in the past eras. It reminds me of the scenes I saw in the movie Midnight in Paris. The many statues depicting the ancient mythology attracts my photographic eyes. I had a few shots on these statues. Some were shot in wide open aperture of F3.8, which is the widest in my Ross Xpres lens. In retrospect, shooting at F5.6 may be a better choice which renders much sharper image.
Instax Wide Ross Xpres – F3.8, 1/25s, 1.5m
Instax Wide Ross Xpres – F8, 1/25s
Instax Wide Ross Xpres – F4+1/3, 1/10
I was staying in the Venetian hotel a few years ago. I like it, perhaps because it carries some past glory lent from the beautiful city in Italy. I think Venetian looks much better now as the slightly wearing outlook more closely resembles the old city it tries to mimic. It is a perfect subject for a vintage lens to capture, but I don’t have time to shoot any unfortunately.
Macau still maintains some heritage from the Portguese and some of its older urban area have not yet been eroded by the high rise commercial buildings. I still see some peaceful community with some well preserved temples and local restaurants. I’m quite impressed and I took a shot when I sneaked out during dinner time. I targeted an old street that just located next to my dining restaurant. I have narrowed down the aperture to F5.6 but not further as it might be too challenging to handheld at shutter speed slower than 1/2second. Nonetheless, I like these wider aperture sometimes as it gives more dizzy light effect, in which these street lamps look like some mysterious bubbles. If I narrow the aperture to F11 or above, the lights would become star shape which is not as magical.
Instax Wide Ross Xpres – F5.6-1/3, 1/2s
Ruins of St. Paul’s – Many selfies by visitors. I would advise people take less selfie and spend more time to enjoy the sites. The pictures quality wouldn’t be too good anyway with the mobile phone.
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